![]() ![]() ![]() That’s also probably why I attempted the ludicrous challenge of balancing two unreliable narrators with jumps forward and back in time. I think that’s why The End of the World is SO strange and unconventional and untamed. They were a joy to make, but when I got to the end of writing them, I was desperate to do something wilder and less constrained. Those books required a stack of research and had a very specific series tone and structure. I began my writing career with the Alice books in the Our Australian Girl series, which are short middle-grade novels that cover a year in the life of a ballerina during World War One. I actually started writing The End of the World before I’d ever had a picture book published. How did something as different as The End of the World is Bigger than Love happen? How has it been brewing? You are known for your popular picture books. Such a pleasure! Thanks so much for the opportunity. Thank you for speaking to PaperbarkWords, Davina. ![]()
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